Panic! At The Disco I Write Sins Not Tragedies

Tom: C Intro: Am Oh, well imagine, as I'm pacing the pews in a church corridor, Am F and I can't help but to hear, no I can't help but to hear an exchanging of words: Am "What a beautiful wedding! What a beautiful wedding!" says a bridesmaid to a waiter. Am F "Yes, but what a shame, what a shame, the poor groom's bride is a whore." Am F Dm G Am I'd chime in with a "Haven't you people ever heard of closing a goddamn door?!" F Dm G No, it's much better to face these kinds of things with a sense of poise and rationality. Am F Dm G Am I'd chime in, "Haven't you people ever heard of closing a goddamn door?!" F Dm G No, it's much better to face these kinds of things with a sense of... Am Am Well in fact, well I'll look at it this way, I mean technically our marriage is saved F Well this calls for a toast, so pour the champagne Am Am Oh! Well in fact, well I'll look at it this way, I mean technically our marriage is saved F Well this calls for a toast, so pour the champagne, pour the champagne ( F G F D ) Am F Dm G Am I'd chime in with a "Haven't you people ever heard of closing a goddamn door?!" F Dm G No, it's much better to face these kinds of things with a sense of poise and rationality. Am F Dm G Am I'd chime in, "Haven't you people ever heard of closing a goddamn door?!" F Dm G No, it's much better to face these kinds of things with a sense of... F G F D Poise and rationality F G F D Again... Am F Dm G Am I'd chime in with a "Haven't you people ever heard of closing a goddamn door?!" F Dm G No, it's much better to face these kinds of things with a sense of poise and rationality. Am F Dm G Am I'd chime in, "Haven't you people ever heard of closing a goddamn door?!" F Dm G No, it's much better to face these kinds of things with a sense of... F G F D Poise and rationality F G F D Again...