Panic! At The Disco I Write Sins Not Tragedies

tom: C (forma dos acordes no tom de Am ) Intro: Am D F [Primeira Parte] Am Oh, well imagine, as I'm pacing the pews in a church corridor D And I can't help but to hear F No I can't help but to hear an exchanging of words Am "What a beautiful wedding! What a beautiful wedding!" Says a bridesmaid to a waiter D Yes, but what a shame, what a shame F The poor groom's bride is a whore [Refrão] Am F Dm I'd chime in with a "haven't you people ever heard of G Am Closing a goddamn door?" C Dm No, it's much better to face these kinds of things G With a sense of poise and rationality Am F Dm I'd chime in, "haven't you people ever heard of G Am Closing a goddamn door?" C Dm G No, it's much better to face these kinds of things with a sense of [Segunda Parte] Am Well in fact, well I'll look at it this way D I mean technically our marriage is saved F Well this calls for a toast, so pour the champagne Am Oh! Well in fact, well I'll look at it this way D I mean technically our marriage is saved F Well this calls for a toast, so pour the champagne Pour the champagne ( G F D ) [Refrão] Am F Dm I'd chime in with a "haven't you people ever heard of G Am Closing a goddamn door?" C Dm No, it's much better to face these kinds of things G With a sense of poise and rationality Am F Dm I'd chime in, "haven't you people ever heard of G Am Closing a goddamn door?" C Dm G No, it's much better to face these kinds of things with a sense of F G F D Poise and rationality F C F D Again Am F Dm I'd chime in with a "haven't you people ever heard of G Am Closing a goddamn door?" C Dm No, it's much better to face these kinds of things G With a sense of poise and rationality Am F Dm I'd chime in, "haven't you people ever heard of G Am Closing a goddamn door?" C Dm G No, it's much better to face these kinds of things with a sense of F G F D Poise and rationality F G F D F Again